This is an idea for experimenting with arpeggios.
Each of the eight samples contains the eight notes of an octave.
The notes in each column are offset by a fourth.
Modulators 1 and 2 control the values “E1 Relative X” and “E1 Relative Y.”
Playing with macros 1 and 2 changes the values of the modulators. This allows you to influence the sequence of notes.
Euclidean sequencing can be used to generate rhythmic structures.
At 90 bpm, it is the A minor or C major scale.
In this example, I have chosen the sound of an electric piano.